Jatila Sayadaw, and the Way Some Names Stay Quietly With You
I have attempted to trace the origin of where I first heard the name Jatila Sayadaw, yet my memory refuses to provide a clear answer. There was no distinct starting point or an official presentation. It resembles the experience of noticing a tree on your property has matured significantly, though the actual progression of its growth was never consciously witnessed? It simply exists. His name was already a part of my consciousness, so familiar that I took it for granted.I’m sitting here now, early— not strictly at daybreak, but in that dull, intermediate time before the sun has fully declared the day. The rhythmic sound of a broom outside indicates the start of a day. This rhythmic sound emphasizes my stillness as I remain half-asleep, reflecting on a monastic with whom I had no direct contact. Merely fragmented memories. General impressions.
People use the word "revered" a lot when they talk about him. That is a term of great substance and meaning. When spoken in relation to Jatila Sayadaw, it doesn't come across as loud or rigid. It sounds more like... carefulness. As if there is a collective slowing down of speech when his name is the subject. A palpable sense of self-control accompanies his memory. I return to this idea—the concept of restraint. It appears remarkably inconsistent with today's trends, wouldn't you say? Everything else is about reaction, speed, being seen. He feels as if he belonged to a different drumbeat altogether. A state where time is get more info not viewed as something to be "hacked" or maximized. You merely exist within its flow. While that idea is appealing on paper, I imagine it is much more difficult to realize in practice.
I have a clear image of him in my thoughts, even if it is a construction based on fragments of lore and other perceptions. He’s walking. Just walking down a monastery path, eyes down, steps completely even. It is devoid of any sense of theatricality. He isn't performing for others, even if there were onlookers nearby. I may be idealizing this memory, but it is the image of him that persists.
It is strange that there are no common stories about his personality. One does not find clever tales or sharp aphorisms being shared as tokens of his life. It’s always just talk of his discipline. His continuity. It appears as though his individuality... receded to allow the lineage to find its own voice. I wonder about that sometimes. If the disappearance of the "self" is perceived as an expansive freedom or a narrowing of experience. I am unsure; I may not even be asking the most relevant question.
The light is at last beginning to alter, increasing in brightness. I looked back at my writing and nearly decided to remove it all. It feels a bit disorganized and perhaps a little futile. But maybe that futility is the whole point. Reflecting on Jatila Sayadaw highlights the sheer amount of unnecessary noise I produce. How much I feel the need to fill up the silence with something "useful." He seems to personify the reverse of that tendency. His quietude wasn't for its own sake; he just appeared to have no need for anything extra.
I shall conclude my thoughts here. This writing is not a biography in any formal sense. It's just me noticing how some names linger, even when you aren't trying to hold onto them. They just stay there, steady.